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For the respected watch brand which has always sought to integrate creative vision with superb artistry and technical know-how in various ways, these complex and compelling creatures evoke the essence of watchmaking in a language that could only have been developed by an artist His primary responsibility is of acquiring rare Audemars Piguet watches for the Museum "Mechanically, with something that interests us, we produce a project.
A watch, if kept in good condition, can be worn by someone's great, great, great grandchild Theo's works are also going to be celebrated for a very, very long time In a hundred years, looking at a Strandbeest, would they know when it was made? It's the same with a successful watch design.
It lives outside of its time." The design history - every watch becomes fascinating "I value every moment Time is religion.
I now spend time with people who I give my respect to I try to bring happiness and intrigue to people around me I spend time with people I can love with, laugh with I'm glad I discovered this before it was too late.
It very much calibrated my life I've lost people, parents Life and loss bind us together Time and memories can still be recollected our neurology.
Why is it that I can remember something that my grandmother cooked for me so many years ago? Maybe as far as the brain is concerned, the old memory is as fresh or fresher than the one two days ago." Spend some time with Friedman and you will easily come to understand what makes Audemars Piguet watches so special and so sought after On his partnership with Audemars Piguet, he says, "We have been working for several years now and I know the people personally which is always nice, of course The basis is the similarity.
In the tradition of making watches the farmers in the mountains in winter used to build with the stuff that was there restricted in the choice of materials Just as I restrict myself with the tubes, they had to improvise And strange enough, when you don't have everything, you become a lot more creative". Source